Showing posts with label Willy Lott. Show all posts
Showing posts with label Willy Lott. Show all posts

6 November 2025

The da Vinci code

Develop your senses, 
especially learn how to see.....


Per sviluppare una mente completa studia la scienza dell'arte, studia l'arte della scienza. Sviluppa i tuoi sensi, impara soprattutto a vedere. Comprendi che tutto รจ connesso.

[Principles for the Development of a Complete Mind: Study the science of art. Study the art of science. Develop your senses - especially learn how to see. Realise that everything connects to everything else.]

Leonardo da Vinci
Principles for the Development of a Complete Mind



This was not my first visit to Dedham Vale, the Stour Valley, and Flatford Mill. I have photographed these places, and written about them (please see below) before, and have endeavoured to follow the instruction of Leonardo.....  Basic questions arise:  what does it matter if a painting of a Haywain is an effective, accurate, realistic representation in two dimensions of something seen by the artist?  Or, what if it is a composite made from various seeings?  Or what if it is an imaginary recreation of something similar witnessed elsewhere?

Flatford Mill, 1930 - Frances Hodgkins (1869-1947)


I have just got back from a brief trip that encompassed something of Essex and Suffolk, and then parts of London and London galleries and exhibitions, and my mind is ablaze with glorious art and autumn colour, while also being  confused and disturbed by personal and emotional vortices that include differences between my daughters, memories of my late wife, and hopes for the future.....  Realise that everything connects to everything else (Leonardo da Vinci).



So, if I photograph Willy Lott's cottage, whether in sunshine or in overcast cloudy light, whether with a swan in the foreground or with a friend on the wall, what does that mean?  What does it tell us about the price of fish?  Does it help anyone?  Did it help anyone that John Constable painted it, and that it is still there?






We walk along the Stour, from Flatford to Dedham, and back, in sunshine one day and under grey skies the next..... The pollarded willows reach back into the past, and yearn for an untroubled future:





Some are broken by wind and weight, living alone and un cared for:






A kingfisher eludes my lens, splashing into the water then winging to a hiding place amongst the falling leaves:





Is this art?  Or is it life?  It changes by the moment, and it slips through our fingers, much as we might try to clutch it to our hearts:




We visit the house where Gainsborough lived, in Sudbury. It is an extraordinary mixture of ancient and new, without seeming rhyme or reason. There is no sense of the artist's presence, but I do learn that he was a landscape artist who, along with Jacob van Ruisdael, would have been a considerable influence on the young Constable:





Then we drive to Kenwood House, frustrated by traffic and a lack of parking, to see two paintings by Vermeer, or not.  Two versions of the same picture, The Guitar Player, are remarkably similar, thought the girl's hairstyle differs.  It is thought that the later version could be a copy by Vermeer himself, though others think it could have been painted by his daughter.  Whatever the truth, the nature of art again makes us think, though what we think may remain a mystery.....




Also in Kenwood House is a picture by Constable, of one of the ponds on Hampstead Heath, the sky rich in coloured airs and water vapour.  





Every day ends with the dying of the sun, and yet every day is different. Sometimes it is beautiful; other times we regret the coming of the dark:





The next morning the trees in Kensington Gardens are glorious:




And Peter Doig blows Yusef Lateef softly at us from 1950s wooden Klangfilm Euronor speakers in the Serpentine Gallery.....





His exhibition, House of Music, lets the Lion of Judah roam free in imaginary landscapes, dancing to the music of time.....





Outside, London confuses and baffles. Part rustic idyll, not so unlike Flatford:




Part individual loneliness amongst the crowds:




And part urban jungle, a labyrinth beneath the towering constructions that shelter so many closed windows:




In Tate Britain I find Peter Doig again, though this time without the soundtrack:


Echo Lake, 1998 - Peter Doig (1959 - )


And then we immerse ourselves in the starry world of Lee Miller, whose extraordinary career spanned fifty or so years and several continents, and whose work stretched from Vogue and glamour:





To the violence and horror of the Second World War, but which took in artistic experimentation on the way:


Model with Lightbulb, 1943 - Lee Miller


It has been a busy few days, and I am tired now, my mind filled with images and confusing thoughts. I recently read that Dr Tony Woods, researcher at Kings College London, said: The research clearly shows the stress-reducing properties of viewing original art and its ability to simultaneously excite, engage and arouse us.

Interesting....

But it can also be exhausting.....

I also read recently that: exposure to nature activates the parasympathetic nervous system – the branch of the nervous system related to a “resting” state. This instils feelings of calm and wellbeing that enable us to think more clearly and positively, (Sam Pyrah, The Guardian)....






The falling leaves drift by the window
The autumn leaves of red and gold
I see your lips, the summer kisses
The sun-burned hands I used to hold

Autumn Leaves
Johnny Mercer, Jacques Prevert







Why does the eye see a thing more clearly in dreams than the imagination when awake? 

Leonardo da Vinci


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Please also see:




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[For November 2nd]



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4 June 2019

Putting Suffolk on the Map

A love song for Suffolk.....






The land of the South Folk, or Suffolk as it is now called, is a part of East Anglia that I have become curiously fond of.  It isn't a part of the country I knew at all when I was younger, but we started exploring with our girls some twenty years ago.  Then I read W G Sebald's entrancing The Rings of Saturn, which added to the allure. 


We stay at The Eel's Foot Inn, and walk to the sea near the Sizewell Nuclear Power stations, watched warily by one of the Konik Polski ponies that graze by the ruins of the twelfth century remains of Leiston Abbey.






Sizewell A was shut down at the end of 2006.  A week later it was found that some 40,000 gallons of water from the pond where spent reactor fuel was being kept had leaked out and into the North Sea.  This Konik Polski  had obviously drunk of the delightfully glowing waste.....






Sizewell B (whose bright white dome dominates the scene) is run by EDF (ร‰lectricitรฉ de France S.A., a French electric utility company, largely owned by the French state) who intend to keep it going until 2055 (Brexiteers eat your hearts out) despite emergency shut downs in 2008, 2010 and 2012.... 



Sizewell C, another EDF reactor, is a project, like Hinkley Point C, due to be completed with the Chinese.  Oh! What price sovereignty?


Anyway, we walk back to the Eel's Foot (another by-product of nuclear power?) through the RSPB Reserve at Minsmere, in time for the weekly folk night, where ageing minstrels serenade us from their word sheets with The Last Thing on my Mind, a strangely appropriate song under the circumstances.....




Ben Britt and Bill Budd

The morning after we drift down the coast to Aldeburgh, home of Benjamin Britten.  I waxed a little lyrical about this place and its  tin scallop in August 2013 (see my blog entitled Great Britten) so won't eulogise unnecessarily.  







Its shingle beach is scruffily used and the pastel shaded holiday homes evoke the future of holidays by the North Sea (when Europe is way beyond the Dogger Bank).







And the produce fished up is smoked in the Meerschaums of locals who welcome the money of strangers.....

But I sense a slight tension when I note a photo of the Springwatch team on the wall.  The face of Chris Packham had been cut out....  He should be shot! extols our fish-smoking brother.  Protecting crows and pigeons?  He should be shot.....

"Starry Vere, God Bless you!"







Sutton Wat?

Slightly dazed we motor on.  We stop to pay our respects to the dead at Sutton Hoo, where nothing is as it used to be.  The visitor centre is in a state of upheaval, as £4m worth of work proceeds to ready expositions in the High Hall to rival the Titanic in Belfast.  If there was an Anglo-Saxon King alive today, he'd be turning in his grave.....






It's which?

And so we proceed, suffolkating under the weight of Kulture and Anarchy on offer all around.  We moor at the Novotel Ipswich, and quench our thirst at the Briarbank Bar and Brewery (a long time favourite) which is hard by the Custom House and the mighty Orwell.  




It is a little known fact that Ipswich is the 42nd most populous town in England and Wales.  But it is the home of the UK's newest University (prior to 2016, Suffolk was one of the only counties in England not to have one at all) and, in 2017, the Royal Mail (who he? Ed.) voted Ipswich the seventh most desirable place to live and work in England....

The seventh?






.... Despite the fact that many people know it as the home of the Suffolk Strangler (though he was originally from Norfolk), Steve Wright, responsible for the murder of five Ipswich female prostitutes in 2006 (committed to Life Imprisonment in 2008).   







The Car Stall on the Hill


And speaking of crimes against humanity....






Benjamin Joseph Levin and Edward Christopher Sheeran are famous people. The latter, at least, is one of the only famous people (if you discount Robert Hindes Groome or Frederick Bird) ever to have come from Framlingham (which Country Life Magazine voted, in 2006, the number one place to live in the country) and between them the two writ a song about the Castle on the Hill, the official video of which has been seen 372,289,930 times on YouTube (though only 2.2 million liked it - and 68,000 actually took the trouble to say they didn't!)

These figures may have something to do with the lyrics, such as:


We found weekend jobs, when we got paid

We'd buy cheap spirits and drink them straight 
Me and my friends have not thrown up in so long, oh how we've grown
But I can't wait to go home


and, perhaps more memorably:




I'm on my way
Driving at ninety down those country lanes
Singing to "Tiny Dancer" 
And I miss the way you make me feel, and it's real 
We watched the sunset over the castle on the hill 
Over the castle on the hill 
Over the castle on the hill




Mr Sheeran, when interviewed on the Radio 1 Breakfast Show, had this to say about his masterpiece:


This is a love song for Suffolk, because I don’t think anyone has ever done that.

That was the second song I completed for the album, so… I’ve listened to that more times than anything else, and it just sounds completely different. I wrote that mid-2015.

I shot the music video in Suffolk, and they cast a group of friends from my high school, and all the extras are kids from my high school, and the main guy, who looks exactly like me, is in my sixth form. It’s really weird.

So it’s all putting Suffolk on the map.


Perhaps, dear reader, you should be the judge of that?


Hey! Wayne....

And so to PC Jack, RA, the painter of Dedham Vale....




We are on our way home, now, and stop at Flatford Mill for breakfast (the Ipswich Novotel breakfast was neither to our tastes nor our pocket....)   Flatford is remarkably unspoiled (at this hour) and Willy Lott's cottage still stands more or less where Constable painted it.....






And the dry dock where he pictured Boat Building near Flatford Mill (in the V and A) is still pretty dry.....  (certainly drier than witnessed in  my 2014 Blog, Mr Constable....)







Flatford Mill itself is a Field Studies Centre, but none the worse for that.....  It really is lovely round here....  The village of East Bergholt, the river Stour....  

Constable Country....  







So, there we are....  it’s all putting Suffolk on the map.....  

A love song to Suffolk.... 

because I don’t think anyone has ever done that.....









Ever read Ronald Blythe, Ed?  

Or Roger Deakin?

Or W G Sebald?


(or my 2013 Blog, Great Britten?)


(or my 2014 Blog, Mr Constable?)


A love song to Suffolk

Nobody done that!