12 January 2015

The Turning World

Poetry walks


Sheep may safely graze on pasture
When the shepherd guards them well.
Where rulers govern well
we may feel peace and rest
and what makes countries happy



The Turning World is the title of an anthology of poems complied by D J Brinley in 1968 when he found, as a young teacher, that there was a total lack of suitable textbooks to interest teenagers in poetry.

At my school, poetry was delivered and consumed in a variety of ways.  At an early stage we were made to memorise The Brook,  in Nigel Molesworth fashion (Peotry is sissy stuff that rhymes.) 

i come from haunts of coot and hern
i make a sudden sally
and-er-hem-er-hem-the fern
to bicker down a valley….

Down with Skool!  
Geoffrey Willans and Ronald Searle

Though in How to be Topp, Molesworth offers some conciliation to English teachers….

However there are other poems which creep in from time to time there is one which go

Har fleag har fleag har fleag onward
Into the er rode the 600

            There are as well lars porsena of clusium elegy in country churchyard loss of the royal george and chevy chase.  Anything to do with daffodils is also grate favourite of English masters…..


As pupils we were issued with Palgrave’s Golden Treasury, and I still have my copy – it is in remarkably good condition; rarely used, I think a bookseller might say.

So it was that when I became an English teacher myself, the compilation by Mr Brinley was most welcome (pace Palgrave – I do actually treasure it).  I doubt whether I influenced many young minds, but perhaps some of my pupils found words and rhythms in these pages to amuse or console.  I learned that at times the clarity of D H Lawrence worked well:

Climbing through the January snow, into the Lobo canyon
Dark grow the spruce-trees, blue is the balsam, water
sounds still unfrozen, and the trail is still evident.

Mountain Lion


Thomas Hardy’s Christmas: 1924 gave us something to contemplate:

‘Peace upon earth!’ was said.  We sing it,
And pay a million priests to bring it.
After two thousand years of mass
We’ve got as far as poison-gas.


At the going down of the sun...


And T.S.Eliot’s Preludes always led to sparks of creativity:

The winter evening settles down
With smells of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days….



Red Kite hunting


I did not know it then, but it was Eliot, rehearsing the word burnt, that gave my text-book its name.  In Burnt Norton, the first of  his Four Quartets, written in 1935, he wrote:

At the still point of the turning world.  Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement…..


Kestrel hunting


One time the world hangs still is the depth of winter, the short days of Christmas in the north, when time seems to stall, and days hardly get off the ground.  There is a sense, just after Christmas, that things have come to a halt; the excesses of the celebrations merge with the darkness and the world seems stuck.  Then, almost suddenly, into the New Year, and days seem to lengthen, the birds seem to sing; the air is more alive…..  Eliot’s theme of air blends with the wood smoke of Burnt Norton’s winter fires, and the dance begins again…..

Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always –
Ridiculous the waste sad time
Stretching before and after.

Peotry (sic) perhaps has had its day – the young, no longer in one another’s arms (though very much online), may not have the time to decipher the codes of learned bards, but the art of composing words into shapes and lines is not yet dead.


There is a green hill....


Wordsworth gave good advice, in Up! Up! My Friend!

Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things:-
We murder to dissect.

Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.


O still, small voice of calm


So we walk in the turning world, watching birds making the most of air. Winter has not yet done its worst, perhaps, and fortune smiles for a day or two.  While earnest poets compete this weekend for the Poetry Book Society T S Eliot Prize, this year, the fiftieth anniversary of Eliot’s death, amounting to £20,000 for the winner and £1,500 for each of the ten short-listed competitors, we look for poetry in the landscape and wildlife around us.  


Though it is 98 years since the death of Edward Thomas, his words are still alive:

But these things also are Spring’s –
On banks by the roadside the grass
Long-dead that is greyer now
Than all the Winter it was….


While the North blows, and starling flocks
By chattering on and on
Keep their spirits up in the mist,
And Spring’s here, Winter’s not gone.

But These Things Also

The countryside is full of life, and death.  I watch the birds of prey as they scan the fields for voles, unsuspecting lives to take.  


Kestrel hovering


I watch the blackbird as he cleans his beak from wormy residues.  



We scatter flocks of starlings, 



goldfinches, 




fieldfare.  



Larks rise up in alarm, twitter and flit, then fall again to earth.  


Skylark


Pigeons strip the new shoots from the crops; 


Woodpigeon en masse



crows grasp and stab all things they can.  



In the air, flights criss and cross, from late late dawn to early dusk.  The greatest gift, perhaps, is that life goes on.

Words move, music moves
Only in time; but that which is only living
Can only die.

Burnt Norton


Just as we turned for home, I caught a sequence of aerial combat that could have shown real feathers flying, but which, as if to show us how, ended in peace.


Buzzard to Base, tumbleweed, OK?
Bandit on tail
Check six
Locking on, BFM
Dive dive dive
Holding hands?
OK Kestrel, RTB
B-LOC, Bingo


A final image from these walks is these two lovebirds.  Spring is in the air! And poetry is love.....





Jack and Jill Daw





And do not call it fixity,

Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where
And I cannot say, how long, for that is to place it in time

Burnt Norton

T S Eliot


However, the final final last word must be Nigel Molesworth's, as he reads to the class from The Burial Sir of Sir John Moore Sir at Corunna Sir (A titter from 2B they are wet and i will tuough them up after.)
Notadrumwasheardnotafuneralnote
shut up peason larffing
As his corse
As his corse
what is a corse sir? gosh is it
to the rampart we carried
(whisper you did not kno your voice was so lovely)
Not a soldier discharged his farewell shot.
PING!
Shut up peason i know sir he's blowing peas at me
Oer the grave where our hero was buried.

(A pause a grave bow i retire and Egad! peason hav placed a dainty pin upon mine seat. Fie!)

5 January 2015

London 14 - Richmond upon Thames

A Royal Bend in the River






Goo now thy wey, this penaunce ys but lyte,
And whan this book ys maad, yive it the quene,
On my byhalf, at Eltham or at Sheene.....

So says Alceste, the queen of love (modelled on Anne of Bohemia) to the poet, Geoffrey Chaucer, in the Prologue to The Legend of Good Women, in 1386, referring to two preferred royal retreats.  

In the year 1500, King Henry VII, Earl of Richmond (in Yorkshire) renamed the quiet royal manor of Sheen as Richmond - Richmond upon Thames.





Not for nothing are there pubs here named The Duke of York, and The Prince's Head.  It wasn't far away, in Richmond Park, in 1536, that Henry VIII stood on what is now known as King Henry's Mound to spy the smoke signal announcing the beheading of Anne Boleyn at Tower Green.  The following day he remarried.  From this viewpoint today it is possible to see the dome of St Paul's, ten miles away across the city haze (telescope provided by my uncle's firm).





In the town itself, at the end of King Street (or Duke Street, or Old Palace Row), lies Richmond Green, where jousts were held in the 15th and 16th centuries - though nowadays any game involving more than ten players needs special permission.  







The Gate House, Wardrobe and Old Palace Yard of the Tudor Palace (originally founded in 1299 but rebuilt by Henry VII after its destruction by fire in 1497) still remain (as do the 18th century houses of the Maids of Honour of Queen Caroline).  Both Edward III (1377) and Elizabeth I (1603) died in the palace here.






At least one other royal connection can be traced around this bend of the river.  Ham House, just beyond the village of Petersham, owned by the National Trust since 1948, is 17th century baroque and was gifted by Charles I to his whipping boy, William Murray, later 1st Earl of Dysart. Apparently, the house was also where King Charles II secretly met with his Cabal (his policy-making committee, named after the initials of its five members).  






The river flows.....  Central to England and its history.  The bridge here, 91 metres long, opened in 1780, is the eighth bridge to span the Thames in Greater London, and the oldest surviving, and it connects the two parts of the Borough of Richmond, the only London Borough to exist on both sides of the river.






The river flows.....  For centuries the Thames was the preferred means of transport from west to east, and vice versa.  The railway arrived in Richmond in 1840, but the river is still busy with craft of many kinds, though these days more for pleasure than for business.






And as it flows, it floods too, with spring tides still causing difficulties for local residents and patrons of certain hostelries.....







And as it floods it washes the pastures, with Petersham meadows being the nearest true farmland to London.....






And rising above the meadows, with the only view in London protected by Act of Parliament, is the Grade II listed Royal Star and Garter Home, built by Sir Edwin Cooper, based on a 1915 plan by Sir Giles Gilbert Scott (of the St Pancras Hotel and Bankside Power Station - Tate Modern -  amongst other things).  This great building, which occupies the site of the popular Star and Garter Hotel on Richmond Hill, was built to care for servicemen who had been severely disabled during the First World War. Queen Mary, with George V at her side, inaugurated the home in 1924.




The Royal Star and Garter Home, Richmond Hill; sold for £50m in 2014



The Royal Star & Garter Homes is a charity that provides nursing and therapeutic care to the ex-Service community. Having sold their property on Richmond Hill, they now have two homes, one in Solihull and the other in Surbiton, though they plan to open one more in High Wycombe.

The London Square Company (founded in 2010, the company has already created a development pipeline worth over £1 billion) is now working closely with the Borough of Richmond upon Thames, English Heritage and the local community to create a residential scheme which respects and complements the wonderful heritage of this Grade II listed building. 

It is a relief to know this: some people might have worried that the edifice would just be converted into flats.....

For house hunters who are not into makeovers, Richmond has a range of properties, from this five bedroom Terraced house (valued at about £3m) ....






Or for a similar price, but with one less bedroom, there is Wick House, built in 1772 for the painter Joshua Reynolds, who died here twenty years later....







Though for a two bedroom cottage in Old Palace Lane the price would be a much more affordable one million....








Richmond attracts. Clearly the royals of yesteryear found it healthy and restful, and so apparently do the nouveau riche of today (Sir Michael Jagger being but one householder in the area).  Others from the stage and screen have retired here:





And almost exactly one hundred years ago an earnest, slightly stressy couple moved, initially, into a flat above the delivery entrance to Boots, escaping the intensity of Bloomsbury.  








Virginia Woolf had attempted suicide in 1913, and her husband Leonard fancied that Richmond would be more relaxing.  The lady soon settled in and was often to be seen walking her dog, Grizzle, near the river, which she referred to as my river.....

Unfortunately her recovery was short lived, and just as the couple was about to move into Hogarth House in March 1915 she had a breakdown and was admitted to a nursing home.  Leonard moved in himself, and then Virginia joined him in April, attended by four nurses.


 




They founded the Hogarth Press in March 1917, using a small, hand-operated press, and began by publishing some of their own short stories.  

Then, in November 1918 they were visited by an American who had just turned thirty-one. Within a couple of years, with a little help from Ezra Pound, Thomas Stearns Eliot produced The Waste Land, first published in magazines on both sides of the Atlantic. Virginia had noted that this was a very strange young man.  On June 18th, 1922, he recited the poem to the Woolfs (Woolves?) in their home. Mrs Woolf noted in her diary that He sang it and chanted it, rhymed it. It has a great beauty and force.....  What connects it together, I'm not so sure. 

In September 1923 the Hogarth press published 450 copies of the first UK book edition of the 434 line poem.  The type was set by Virginia herself.









Trams and dusty trees.

Highbury bore me.  Richmond and Kew

Undid me.  By Richmond I raised my knees

Supine on the floor of a narrow canoe.



My feet are at Moorgate, and my heart

Under my feet.  After the event

He wept.  He promised a ‘new start.’

I made no comment.  What should I resent?












The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it.

A Bend in the River

V S Naipaul


(NB: Naipaul's river was an unspecified African one, probably the Congo, but through gossamer threads I linked his bend and his river to Conrad, and Eliot, colonialism and nothingness - though I realise I am probably stretching all this beyond acceptable limits!)





St Mary Magdalene, Richmond Town Ministry




Elizabeth and Leicester 

Beating oars 

The stern was formed 

A gilded shell 

Red and gold 

The brisk swell 

Rippled both shores 

Southwest wind 

Carried down stream 

The peal of bells 

White towers 


Weialala leia 

Wallala leialala



22 December 2014

Joe Cocker

You Are So Beautiful......



What would you do if I sang out of tune?  

Cancer strikes again......

Sithee, Joe.





Whatever you say.  Whatever emotion boils then subsides there is nothing to do.  A certain finality has taken away the options.





Sheffield had its moments, but the Joe moments were long gone, already.....






Cry me a river, but then again....  Smile once more, turn thy wheel....


When we were young, Joe sang for us all.  His heart was strong.  The songs cut through our listlessness.  Get me a ticket for an aeroplane...  All the lonely days are gone.....







Here, there, and everywhere, the sounds were universal. Staggering onto, and off, stage, drug struck or not, sick or perhaps, he gave better than he got.  Songs charged with love.... not sick with emotion.  My life was uplifted.  Chris Stainton managed the keys.  But he has gone too.

Oh you're mine yes you're mine.....




Many rivers to cross....

And it's only my will, that keeps me alive.......

It's such a drag to be on your own.....






Yeah, it was going to happen.  Seventy incautious years and what do you expect?  We will just roll right out of here, when the night comes.....  But the reaper cuts deep, sometimes when unexpected. 






Thank you Joe for the songs, the performances.  Your life overshadowed mine, ours, and thank you for that.

I hope the future is as good as the past



I tried too hard to reach you
But you must be moving fast
All my hopes about the future
Will just live on
Into the past