A Wandering Eye

 Picture this......

All pictures are in the past. Even what you think you saw just now, for example Anthony Michael Gordon's 55th minute goal against Argentina happened fractionally before you could experience it, with the light travelling through your lenses to your retina then crowding down your optic nerve to be processed by your brain.....  Nothing is what you think you saw.

And so it is with art.....  Hockney has gone the same way that T S Eliot took.  Words and pictures still with us, but the light has gone.....

I am in London again, roaming the interstices of  life and love, wandering partially for the sake of it, partially because to stay still is also an illusion.....

Although I think I prefer my rustication [sic] in far flung Norfolk there is a vibrant stimulus in the hectic miasma that is London.  Almost an aversion therapy......

So I prowl about, a camera, or an iPhone, at the ready, snapping images that later may help me remember where I have been or what I saw. Pictures which, along with the estimated 5 billion to 5.3 billion photos that human beings currently take every day worldwide, will mean less than nothing to no one. 

This figure equates to over 61,400 photos snapped every single second, resulting in roughly 50 petabytes of new image data captured daily, which average leads to more than 2 trillion photos taken annually across the globe, of which around 90% are now captured using smartphones, leaving conventional cameras and film to account for less than 10% of daily images.

So, there we aren't.  Here I am.  

Yes, here I am.  Competing with the rest of the world, remembering that the essence of competition is that there are always losers.......

But.....  WTF?  Other people breathe. That doesn't mean I shouldn't.

And, as Hiromix says:

Though what she doesn't say is that every image, whether it is a painting or a photograph or (perhaps) a sculpture, is a selfie.....  It's not a new thing.  The first artist ever was expressing something of his or her self.  The last artist ever will still be trying to say something that emanates from the self.....

Here is David Hockney telling us about his house in France, wanting us to appreciate his life, possibly subconsciously wanting us to share his life, without - obviously - intruding......

And here is Andy Warhol vicariously extending his world to tantalise us with fame and luxury:

And here is Christo wrapping the desirable away so we can only dream of what lies beneath:

While Bob Dylan entices us to follow his lines into the distant imagination of an evanescent world:

Of course, you cry, [Who are you to patronise?  Ed] there are images that involve no artistry, such as those of the Camera Obscura..........

But this device is only designed to monitor or assist imagery. It doesn't happen by itself.....

So what about nature?  The circle of life?  Why are flowers so attractive?

Aren't they just saying, Come, look at me?  Come, smell me?

Come on, come on, come on, come on

Now, touch me, babe

Can't you see that I am not afraid?

What was that promise that you made?

Why won't you tell me what she said?

What was that promise that you made?

Touch Me

The Doors

Anyway, this, by a circuitous route, brings me to Kew Gardens, a somewhat pricey outskirt of the metropolis.  Here, where foxes and badgers rule supreme and hedgehogs are no longer happy residents, a series of sinuous sculptures punctuates the park, courtesy of the late Henry Spencer Moore (not knighted, by the way, in 1951).....

Having recently visited Barbara Hepworth in St Ives, (and having previously written about Henry Moore at Perry Green in https://www.richardpgibbs.org/2013/05/feeling-henry-moore-ish.html) I am shy of opining about the abstract.  There is something grand, something liberating, however, about being next to a substantial three-dimensional art work in an open, natural environment.  

As Moore wished, the work expresses itself from all angles.  You wander around it and it presents differing ideas/thoughts/possibilities as the lights changes as the shapes interact.....

As Moore himself said, in Unit One, edited by Herbert Read in 1934, All art is an abstraction to some degree (in sculpture the material alone forces one away from pure representation and towards abstraction).....

Or, as he wrote in The Listener in 1937, Each particular carving I make takes on in my mind a human or occasionally animal character and personality, and this personality controls its design and formal qualities, and makes me satisfied or dissatisfied with the work as it develops......

Makes me satisfied or dissatisfied...... Art as an expression of satisfaction. Art is an expression of the self.  Not to deny anattā - the Buddhist concept that there is no permanent, unchanging, soul or 'self' but that there is a flowing collection of consciousness, sensation and perception that allows a more sensitive and imaginative connection with the world.....

That may be a hazy view of the life outside the window.....

But a two-dimensional swimming pool is just as elusive......

I must wrap my car......

But I will let Raye say her piece:

And I don′t really like my body

But knowing it′s my only body

I should probably call somebody

I should really show you how I'm feeling inside

Matter fact, I′m glad you called me

I been hiding, I been high and I been sleeping hungry

Body Dysmorphia 

Rachel Agatha Keen, Michael Harris Sabath

Now I'm gonna love you

Till the heavens stop the rain

I'm gonna love you

Till the stars fall from the sky

For you and I

Touch Me

Mixed up confusion

Sweet Thames Run Softly

It started well.  The day dawned fine, and Grosvenor Square was tranquil, though the strangely wrapped figure of Dwight David Eisenhower outside the Qatari remake of the US Embassy seemed an ominous portent:

Anyway, in one of the Halcyon Galleries on Bond Street I get a glimpse of early Hockney, where the women come and go:

And across the way Bob Dylan exposes his inner Marlborough Man with a little less finesse than Bradford Davey:

And then I work my way through the streets of Soho, past traces of earlier communications, now repositories of today's excess:

I note that Pink seems to be the in colour today, whether on your rickshaw:

Or with a casual glass of wine while trading al fresco:

Or as part of your biker gear:

Or if you are Queen for the day:

Then, where Kipling once lodged, I pass one of my favourite haunts, though now it's hard to get a seat:

With my special dragon bike I take a pedal up the river to Richmond and beyond, where the sun is out:

And a heron fishes, the cycle of life:

And where, in the 18th century, George II lodged Henrietta Howard, his mistress, in Palladian splendour, another cycle of life.

It is hot now, but the Sweet Thames runs softly, 

So I took her sailing on the river (Flow sweet river, flow),

From Putney Bridge to Nine Elms Reach
We cheek to cheek were dancing
Her necklace made of London Bridge
Her beauty was enhancing

Ewan MacColl

But this is where things start to go wrong.  The heat. The after effects of gothic strawberries, the press and confusion of London Town; even if it is French:

We dine upstairs, the food, the drink, the company, the wine, the digestifs.....

It may be my daughter's birthday, but the confusion is beginning to set in, my pulse beat racing, 

Well, there’s too many people

And they’re all too hard to please

Well, my head’s full of questions

My temperature’s rising fast

Well, I’m looking for some answers

But I don’t know who to ask

Bob Dylan

Mixed-Up Confusion

And so it goes......

But then, despite the gentle musings of Ewan MacColl, and the ebb and flow of Old Father Thames (without which, London would not be) I sink into oblivion, exhausted by the heat and confusion of the city. I long to be back in the calm of Norfolk, even though this yearning is a two-edged blade. I trip from MacColl to Edmund Spenser, and look to Prothalamion for solace, those sixteenth century lines like a cool gauze across my brow:

CALM was the day, and through the trembling air 

Sweet breathing Zephyrus did softly play, 

A gentle spirit, that lightly did delay 

Hot Titan's beams, which then did glister fair;

And at dawn it is quiet now.  Oxford Street so near a desert:

Tottenham Court Road a pedestrian dream:

And all the fowl which in his flood did dwell 

Gan flock about these twain, that did excel 

The rest so far as Cynthia doth shend 

The lesser stars. So they, enranged well, 

Did on those two attend, 

And their best service lend, 

Against their wedding day, which was not long: 

Sweet Thames, run softly, till I end my song.

Edmund Spenser

Prothalamion

And, waking, as if from a confused state, I walk through Gordon Square, and hear a voice:

Love's gift cannot be given, it waits to be accepted.

Rabindranath Tagore

But I’m walking and wondering

And my poor feet don’t ever stop

Seeing my reflection

I’m hung over, hung down, hung up!

Bob Dylan

Mixed-Up Confusion

*****

The nymphs are departed.

T S Eliot

The Waste Land

*****

To unwind, please see Christy Moore, with 

Sinéad O'Connor and Neill MacColl, singing Ewan MacColl's Sweet Thames Flow Softly....

https://youtu.be/Tgwtl-s0CNI