15 November 2013

TESSERAE - 8 - Cividale del Friuli

Cividale del Friuli  






Julius Caesar - Giulio Cesare to his friends - stands all night in front of the town hall, as if waiting for a bus. This statue, a copy of that which guards the Campidoglio in Rome, may occasionally be seen sitting in the bar, or slinking off to rest awhile in the Roman House just next door. But then this is a quiet town, and despite over two millennia of quite complex history, nothing much happens here, especially on a Monday night in November.


 

Giulio first came here in 50 BC, though of course he didn't know what year it was.....  He was impressed by the Celtic culture, and probably by the local wines, and set up a Forum here, (which I believe was an early type of Internet where people met and exchanged inanities).  Anyway, unintentionally, his Forum Iullii (which uses his name in Latin with a touch of the genitive) gave its name to the region, now known as Friuli.....  (There's one for QI?)

The town flourished, and became one of the most important centres in the area, both for commerce and for military reasons.  Which is why, a mere half millennium or so later, the Longobardi (literally Long Beards, though some would have it that the name originates in their adherence to Odin, anyway they are better known as Lombards) decided it would make an ideal place for their capital of the Primo Ducato Longobardo in Italia (their origin was in the far north, and like modern Germans, they liked to place their towels in the sun).  Indeed, Cividale was not only home to the Lombard Dukes, and Kings, but also to the Patriarchs of Aquileia, so it was a bright spot in what we tend to call the Dark Ages.


 


While they were there (that is, very roughly, between 568AD and 774AD) the Longobardi adopted the oratory of the Convent of Santa Maria in Valle, which hangs precariously over the river Natisone, and it is now known as the Tempietto Longobardo, even though the frescos and wooden choir stalls are from the later Middle Ages.  It is an extraordinary little chapel, with beautiful stucco figures and intricate decorations.  I am afraid that photography is not allowed here, so please imagine it in the space below......


 


Outside, persimmons droop above the river looking east towards the hills of Slovenia. 

 



Inside the convent the graceful refectory is now used for civil functions, ceremonials, and meetings.






And the cloister has a well kept, peaceful air that picks up on the civilised nature of this town.  The Monastery of Santa Maria in Valle is now a cultural centre, owned by the municipality.





The Lombards had a chronicler in Paolo Diacono (Paul the Deacon) who is commemorated in a square of the same name in Cividale, and here is found the Cafe Longobardo, where loud music and wet plastic seats remind the visitor that times change. 




However, there is a neat illustration on the wall of the Café as to how this part of Italy has a tendency towards the north and east.  The Longobardi may have been ousted by Charlemagne, who instituted a Frankish regime in 774AD, but in later times Cividale, (for some time called Civitas Austriae, which means Eastern City, giving a clue to how Austria got its name) was ruled by the Republic of Venice, the Hapsburg Empire, Napoleon, and the Italian Kingdom.   But perhaps the  gentleman holding the billiard cue, second from the right in this picture, was one of the Austrian Army who occupied the city after the battle of Caporetto in 1917.....  The distinctly Austrian looking Eagle on the wall behind him is actually the symbol of Friuli.




Today Cividale is a quiet, small town.  Its history lies there to be discovered, with a display of treasures from the Lombard Necropolis (on the hill behind the great new supermarket, itself just up from the brand new railway station) in the National Museum of Archaeology, which is housed in the Palace of the Provveditori Veneti.  It is not surprising that it doesn't feel quite comfortable in the relatively young Italian State, especially given the difficulties with the modern Italian economy, and the visitor is reminded of this by bilingual signs in the streets which explain where we are in both Italian and Friulano, a language which has approximately half a million speakers.




But the town harbours quaintness and oldness and a quirky individuality.  Medieval buildings seem a normal part of the fabric:




Both in the tortuous back streets or arising above the Devil's Bridge by the River Natisone.






In the brighter main streets, shops sport their independence, with pride in their business:






And in their quirky sense of colour and appeal.






There are almost no chain stores here -unlike small town England, the majority of shops are independent.  There are banks, of course, and a couple of supermarkets, but the streets are filled with clothing boutiques, artisan butchers and bakers, cafes and wine bars.

These last predominate.  Without being showy, they appear as you pass by, tempting you to retrace a step or two, to pry in, to accept the cheer of a glass of ribolla gialla, or verduzzo friulano, a schioppetino or a picolit.  There are 2,300 hectares of vineyards in the DOC zone of the Colli Orientali del Friuli, and Cividale is the capital.  Some of these osterie are also restaurants, where you can stop at a single glass or pass the whole evening.  In the Antica Trattoria Dominissini I take a glass of merlot for €1.50 and am given a delicious piece of bread and lard to go with it; the chalk board says: Oggi Tagliolini con Funghi Porcini - very tempting.  The bar Tipico bills itself as a Vineria - Stuzzicheria  and I take a glass of refosco for €1 with a tiny cheese and rocket sandwich included.

In gustobase, which is an enoteca con cucina, Enrico tells us how business is slow, and how these days it is not enough to own property and let it out.  He was a diving instructor in the Maldives, but has returned to his home town to run this business.  Times are slow, and quite difficult, however, and on this dull Monday evening we are his only customers for a while.  He is enthusiastic, and he sings the praises of the wines of Damijan Podversic, whose Bianco Kaplja is a revelation.  This is 40% chardonnay, 30% friulano and 30% malvasia istriana.  Damijan makes it like a red wine, with the skins in the must in oak casks for two to three months.  It is then aged in barrels for two years and then allowed to stand in the bottle for six months.  A light sediment may cloud the wine a little, but it is genuinely beautiful.



 
  

Perhaps with a sense of penitence, we drift to the Cathedral, an austere fifteenth century building with a baroque bell tower.






Inside the Madonna looks after her child, her eyes half shut under the weight of the ornate headdress and crown she wears.  She is perhaps tired.  The fuss over her little one too much, though he looks well and feisty with his curly brown hair.






On the wall hangs a crucifix, again elaborately crowned, the twisted figure seeming surprisingly fragile against the enormity of the cross.  His vulnerability contrasts with his dependence in the other piece.  The story unfolds, again and again, and in this great space we are reminded.






Outside it is now dark and a cough echoes in a cobbled street.  From a bar I hear the strains of Ligabue singing Sogni di Rock and Roll, played as a tribute to Lou Reed.  Here it is as though history has accumulated and slowed down.  Almost crashed.   Paolo Diacono stands on his plinth near the Café Longobardo, with no more to do.  The stories have come full circle.  The people go about their business, appreciating life and the fruits of the seasons. 

We finish the evening, in the Ristorante al Monastero, with Cjalcions del monastero, hand made pasta parcels stuffed with ricotta and spinach, but sprinkled with pine nuts and sultanas. We take it slowly.  Oh, and we take a glass of refosco...... 


  



In the morning we breakfast in the bar in the Town Hall.  The lone figure of Julius Caesar stands before us, as if waiting for a bus.....  I ask the quickest way to the station, but he shakes his head.  "Don't ask me," he says sadly.  "I'm a stranger here myself....."




Waiting for the No 301




 








8 November 2013

A Walk in the Park

Yea, though I walk in death's dark vale,
Yet will I fear none ill.....
 
 
 

It's first light in Liverpool.  I am here to help my daughter move, but she is immobile, stretched out on the sofa, and looking like another couple of hours is needed.  I said I might be up early, and she said the Park was nice......
 
 
 
So, despite a fleeting urge to steal the pink Chinese Vespa outside the flat, I head for nearby Sefton Park, to sample the delights of the city autumn.
 

 
 
And it is great to be on foot, without traffic, with sunlight uninhibited by buildings, streaming through the dying leaves.  The birds are up, the air is sweet with decay, and there is an atmosphere of tranquillity that inspires a sense of well-being. 
 
 
 
 
 
 
Public Parks are relatively recent institutions, with the first use of that idea appearing in 1661.  The word park is very old, of Germanic origin (pfarrih meaning a pen or fold), and coming to us through Old English (pearruc).  The concept was of an enclosure, held by royal grant, for beasts of the chase, as opposed to an unlimited forest (or chase).  So we get to the notion of a large ornamental piece of ground, usually attached to a country house or mansion, and being used for hunting or recreation of some kind.  And thus to the public idea, when cities increased in size and confusion, with no space for the populace to take the air.  Sefton Park, in Liverpool, is no exception, as it was originally part of (the 2,300 acre) Toxteth Deer Park.  Then in the 1860s, the City Council managed to purchase 110 hectares (235 acres in alternatively incomprehensible land measurements) from the Earl of Sefton (for a quarter of a million quid - then) to exercise the hoi polloi.  Yea!  200 years ago or so the average life expectancy within a conurbation such as Toxteth was 32 years.  So it made good economic sense to look after the work force.
 
 
 
In November 1866 the Council issued a brief for a competition to design the park.  First prize 300 guineas.  French landscape wiz Edouard Andre (Gardener in Chief for Paris) and his chum Lewis Hornblower (local architect) won the comp with a design planned to cost £85K.  Guess what?  By the time Prince Arthur got to open the park in 1872 (dedicating it to the health and enjoyment of its townspeople), the budget had risen to £147K.  Is nothing new?
 
 
 
 
Anyways, they did a grand job.  No kidding.  The bandstand (purported to have been the inspiration for Sgt Pepper's Lonely Hearts Club Band....) on its island; the boating lake; the statue of Eros (a copy of Sir Alfred Gilbert's statue in Piccadilly Circus - actually of Anteros, one of Eros's brothers).  This figure, now a replacement made of aluminium, is the subject of the Shaftesbury Memorial, where the winged boy symbolises the selfless philanthropic love of the (7th) Earl of Shaftesbury (famous for his work to abolish slavery) for the poor.  Within the park there is also a copy of the Peter Pan statue (in Kensington Gardens), as well as monuments to Christopher Columbus and Highland Mary, the betrothed of Robert Burns.
 
 
So, here I was.  The bauxite bow of (Ant)eros missing me by a mile, but the greetings of fellow walkers, with or without dogs, bringing a cheer to my aluminium aorta.  A rainbow crowns the scene, and the autumn colours ginger life up a bit.  The via vai of early morning people, minding their own business, attending to their fourpaw companions, or just chatting their way through a shared cigarette, is like a gentle infusion of adrenalin.
 
 
 
 
Raindrops shiver me back to James Litherland's wah-wah solo on Walking in the Park on Colosseum's 1969 album Those who are about to die salute you. Jon Hiseman, Dick Heckstall-Smith RIP. Remembrances of a night in Wood Green..... There's something retro-hip about this particular Park. Every great city has at least one - Central Park in New York; the Tuileries in Paris;  the Villa Borghese in Rome;  the Buen Retiro in Madrid; the Royal Parks in London, or even the Embankment Gardens, so much enjoyed on hot summer lunchtimes......  An opportunity for space is so important.  The countryside is far away; there are no gardens for flat dwellers; allotments in cities are as sought after as the Hanging Gardens of Babylon..... 
 
 
 
 
 
So, with the waterfowl skimming across the reflections of a cloudy blue sky, I turn back.  Cycling is promoted here, as a cast milepost tells me:
 
 
 
 
 
 Though one young man has a different way of interpreting the idea of playground:  
 
 
 
 
For me, to sit on a bench and watch the birds would be ideal, but inclement weather is promising, so I'll not tarry long.  Walking in the Park is an active, not a passive occupation.  I wonder where my Tamoretti is now?
 
 
 
 
I am tempted by the opening of the Café, once known as the Aviary Café, whose primary colours are perhaps a reflection of my lack of caffeine, but the chairs and tables are only just coming out, and I cannot yet sniff the Arabica in the air. 
  
 
 

 
And I know that I am only steps away from Lark Lane, where Keith's, or The Moon and Pea (with celebrity chef Sarah G) might cater for me later, so I saunter on.....
 


 
But on my way my eye is caught by various notices, attached to lamp-posts and railings.  At first I think that Sefton itself is in peril, but realise that that might be a step too far.  Instead, what is at stake is a piece of land next to the park, which the Liverpool City Council want to sell for building development. This follows cutbacks to council funding and, from the point of view of a nicely dressed economist, with no social conscience nor long-term vision, makes perfect sense.
 
But I am reminded of the gentle condemnation of the late Margaret Thatcher's privatisation policies by the even later Harold Macmillan, in which he deplored the selling off of the family silver.  Open spaces, where children can play, and ordinary people can move around safely and freely, are vitally important to the well-being of society.  It was at great expense and with considerable foresight that Sefton Park was created for the public.  Some will argue that Sefton Park Meadows are an expendable extra, and that the Park itself will still be there, but chip away at these spaces and pretty soon there will be little left, and, with no benefit to the disadvantaged majority, the material profits will have been happily trousered by some unnecessary few.
 




Walking in the park and my feet just can't keep still
 
 
Morituri Te Salutant
 
 
 
 
Goodness and mercy all my life
Shall surely follow me,
And in God's house for evermore
My dwelling-place shall be.
 
 

1 November 2013

The Veneto and Friuli



Autumn Shadows
 

 

On October 3rd, 1924 D H Lawrence wrote to his friend John Middleton Murray, The autumn always gets me badly, as it breaks into colours.  I want to go south.....  OK, so he was already a dying man, but we know the feeling.  As the clocks go into reverse, and the winds whip the Atlantic Ocean into our backstreets, it is time to find some cheer somewhere.
 
So we go to Italy, full of hope for light skies and straight plumes of woodsmoke rising from the orange chestnut woods.  Where every distance is not near.....
 


But it is night in Verona.  The police are on the prowl.  Tradition says it is time to wear woollen clothes, and the streets glisten with a seeping humidity.
 

Roberto Vecchioni wears a leather jacket, and looks a little unsure of himself.



The ancient heart of the city is dark, and there is no sense of the Shakespearean heat that led to open brawls. 



So we take refuge in the bright interior of Al Bersagliere, a favourite haunt, where we are well looked after (a Bardolino classicomaccheroncini with bean and sausage sauce, grilled tomino cheese and thinly sliced aubergines, scaloppine al vino bianco....) and the choice on the Wurlitzer has not changed since Barry White had a hit with It's ecstasy when you lay down next to me.


Then back out into the garish autumnal night, where kids drink wine at the gates of the amphitheatre and the ancient stones reflect the garish disco street lights.



The next day, courtesy of Trenitalia's Freccia Bianca, we are in Venice for a snack lunch.  The autumnal colours of the washing blend nicely with the ochre of the walls, and we wander abroad in shirtsleeves.

 
The cold cuts are Friulian, the wine Soave, the chef Sardinian, but the ambiente is solidly Veneto. 
 
 
 
 
This part of the world is designed for snacking.  An ombra here (the local name for a glass of wine, said to derive from the tradition of drinking in the shadow of the Campanile in Piazza San Marco) and another there.  We stroll from bacaro to bacaro, from Bancogiro to Cantina do Spade.  A shadow of Prosecco spento, with baccala mantecato, then an espresso and off again....
 
 
 
Venice is crowded, and yet there are still quiet corners.  It is not all Guggenheim and Doges.
 
 

 
Though it is art, and it is memory.  Ironically, Sir Anthony Caro lives on at the Correr:
 
 
And people do still live here.  Even Caruso has an apartment on the Dorsoduro.....
 
 
 
But you cannot get away for long from the Grand Canal and its Great Palaces,
 
 
Nor avoid the elegance of the gothic Ca d'Oro:
 
 
Nor can you hide from the expressions here of wealth and power, whether they are in bricks and mortar, or in the 3,643 tonnes of steel and aluminium of the Carinthia VII, which is owned by Heidi Horten, the widow of a German entrepreneur.  This mobile home has 28 crew members and can take 12 guests.
 

Carinthia VII, the twelfth largest yacht of its kind in the world
 
And then, as Zebedee said, it is time for bed.  Our room romantically perches high above the fish market, over one of the oldest restaurants in Venice, Poste Vecie (the old post office) which I first stumbled (literally) into by the back door nearly forty years ago.
 
 
 
In the morning we move on.  We stop in Udine, once a fair city, and where my father was at the end of the war, shortly after the Germans withdrew in the summer of 1945.  But an earthquake in 1976 shook some of the romance out of the old city, and rebuilding has not embellished it now.  Remarkably the Piazza della Liberta, with the sixteenth century Porticato di San Giovanni have survived, but, despite the excellent cooked ham and Tocai we enjoy at Al Fagiano, where quite possibly my dad might also have drunk, something is missing.....
 

 
So we move on, again.  Into the autumn, into Friuli, and towards Slovenia and the mountains, where the Italian language merges into Friulan, and, as seen below, the official name of the village of Prepotto is not that favoured by the locals.
 
 
It is quiet here, and gently autumnal, though crispness evades us.  Instead there are the mellow fruits; pomegranates shiny red in their trees; persimmons (cachi) heavy on their boughs....
 
 
 
And mists rising from the Natisone as it cuts through Cividale del Friuli:
 
 
 
Cascades of red leaves falling towards the gorge:
 
 
And then we take bicycles, and head towards the mountains, weird mushrooms such as Clathrus Ruber, the Basket Stinkhorn,  at large in the woods,
 
 
And yellowing vines slipping away into the valleys.  But the weather is not with us.  Grey skies darken, our target, the sanctuary at Castelmonte disappearing into thick cloud.  We turn to descend again, but soon raindrops begin to spatter us. 
 
 

And we are forced by cloudburst to take shelter in the Osteria Mezzomonte.  The dreamt-of brightness of autumn is found in the fireplace:
 
 
 
 
And the old-fashioned place is full of brightness and welcome.  We refresh ourselves with local Schioppettino, and restore our strength with cheese, polenta and frico with onions, a speciality made from potatoes and montasio cheese.  Andrea, our host, talks enthusiastically about the Eagle Owl that roosts in one of his empty chimneys, and has displays of moths and butterflies in cases behind the bar.



 
 
We may not have found Keats's beaker full of the warm south, nor entirely avoided the melancholy that D H Lawrence so loathed, but we have found a piece of Italy that time forgot and which revives the flagging spirit.  In the brightness of this remote inn there is the paradox of autumn.  As nature decays, so life is restored.  As the bright colours of leaves flare up, so the plants die down.  One man's south is another man's north. 
 
I step through the back of the inn, to watch coal tits and a nuthatch feeding on a bird-table, then, turning, I notice the trophies on the wall.  Curious how these disturbing decorations remind me that the Italian for "Still Life," is "Natura Morta." 

 

 
But I, being fond of true philosophy
Say very often to myself, 'Alas!
All things that have been born were born to die,
And flesh (which Death mows down to hay) is grass;
You've passed your youth not so unpleasantly,
And if you had it o'er again - 'twould pass -
So thank your stars that matters are no worse,
And read your Bible, sir, and mind your purse.'
 
George Gordon Noel, Lord Byron
Growing Old