Showing posts with label Piero della Francesca. Show all posts
Showing posts with label Piero della Francesca. Show all posts

15 April 2023

Spring again.....

Resurrection


The Resurrection (Piero della Francesca) c 1460



I have this fresco on my bedroom wall (there is a copy in the Museo Civico of Sansepolcro, Piero della Francesca's native town).  Every morning I wake to the haunting gaze of the risen Christ, while I still feel as asleep as the four soldiers at his feet (the second from the left being Piero himself).  I am reminded that it is time to make a refreshing pot of tea.....

One reason I so love this painting is that resurrection does not just refer to the man arising from his sarcophagus (though I do feel a bit like that some mornings) - there is the resurrection of the natural world from dormant Winter (on our left) with its bare trees to verdant Spring to our right as life regenerates. Here is Persephone. Here is Osiris. Here is Eostre.....



This Spring, however, is different. The past winter was, for me, the hardest I remember.  Not in terms of the weather, no.  But in terms of loss, of dying.  In December, for the first time in almost forty years, I spent our wedding anniversary alone. Then Christmas, in the company of our two daughters, was again a first without Amanda. New Year; my birthday; Amanda's birthday..... these anniversaries passed in colourless silence. Yes, we visited Amanda in her Care Home. But, no, she could not really participate, or communicate, or recognise.





On top of which, for one reason or another, I didn't feel so good, and the darkness dragged on, well into March, with little sign of hope.

But then the days began to brighten, and, haltingly, there were signs of regeneration. The world seemed to be coming to life again - even if not for everyone. At Easter I took Amanda for a wheel along the prom at Hunstanton, and there were people on the beach!






And across the Marsh there are walkers on the Flood Bank - still attired against the wind, but enjoying the open air, with a blue sky reflected in the ground water.....







In the woods I hear the hopeful chant of the Chiffchaff:






 In the trees I spy a Nuthatch:






And then a busy little Treecreeper:







There was action all around. Birds displaying, and birds hunting, feeding, perhaps providing for the family:



Barn Owl



Marsh Harrier



Buzzard



Red Kite




Mallard


Birds everywhere.  At Titchwell RSPB I saw a distant  Spoonbill:





And Avocets combing the water:






A Redshank in the mud:





And a Meadow Pipit on a post:






And at home, in my garden, the Rosemary is in flower:




And the Cherry trees are blooming:








In this resurrection life is affirming, and the depression of winter begins to lift. My personal grief is nothing compared to others. It is very sad, for me, that I cannot walk across the land with Amanda as we did a year ago, and all the past years that we shared. But she is being looked after, and still has moments of cheer:







Things could be worse, and, I guess, it's best not to think too much about the future. I don't know how many more  Springs there will be - for you, for me, for the planet itself - so we must make the most of what we have today, and be grateful for the wonder that is this resurrection:







The Trees

The trees are coming into leaf 
Like something almost being said; 
The recent buds relax and spread, 
Their greenness is a kind of grief. 

Is it that they are born again 
And we grow old? No, they die too, 
Their yearly trick of looking new 
Is written down in rings of grain. 

Yet still the unresting castles thresh 
In fullgrown thickness every May. 
Last year is dead, they seem to say, 
Begin afresh, afresh, afresh.

Philip Larkin














13 April 2022

Beyond Surreal

 You couldn't make it up.....






A Surrealist manifesto was written by AndrĂ© Breton, [French poet, essayist, critic, and editor, chief promoter and one of the founders of the Surrealist movement] and published in 1924. The document defines Surrealism as:

Psychic automatism in its pure state, by which one proposes to express — verbally, by means of the written word, or in any other manner — the actual functioning of thought. Dictated by thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern.

The text includes numerous examples of the applications of Surrealism to poetry and literature, but makes it clear that its basic tenets can be applied to any circumstance of life; not merely restricted to the artistic realm......

Which brings us to the now.....




I am in the shell of the Tate Modern, once a power station, now a vacuum cleaner for the school holidays, sucking children and tourists into a state of dusty confusion, where the received wisdom is that a person is better for attending some 'artistic' event than for playing with mud and leaves in the woods.

So, me too....  My guilt is post-prandial, so I can trade excuses.

The show is Surrealism Beyond Borders, possibly subtitled:

A telephone receiver morphs into a lobster.
A train rushes from a fireplace.

Nah.  I don't think so....  Lobster phones and fireplace trains don't really interrogate political or social systems, despite their imaginative delights.




I'll tell you what is Surrealism.  Surrealism is Nadine Dorries.  

Or, if you prefer, Ms Nadine Dorries, who tweeted, on April 12th:  

PM has been clear about what happened on 19th June 2020 & offered a full apology. It was a brief gathering in the Cabinet Room, less than 10 minutes during a busy working day. PM is at his best when delivering on the priorities of the British people which he will continue to do.




And then there is the MP for Lichfield (birthplace, I believe, of Dr Samuel Johnson - no relation - so not famous for its idiots) Michael Fabricant (stylist to the early seventies) who defends Boris Johnson over party gate, saying he did not think the Prime Minister thought that he was breaking the law.

He said: At the time, just like many teachers and nurses who, after a very, very long shift, would tend to go back to the staff room and have a quiet drink, which is more or less what he has done.

Having been a teacher for most of my misspent adult life, I have to admit, I liked a drink at lunchtime almost as much as I did a few in the evenings, and I have to say that it would rarely be a quiet drink and it would never be in the staff room.

Who are these appalling genetic mistakes?




I learned to admire surrealism through the slit cornea of  Luis Buñuel and  Salvador DalĂ­, but this exhibition nods to neither.  It is a serious manifestation of how many artists in the mid 20th century wanted to express some kind of revolution against conservative ideology, without there being a hard core to their shared concepts.

I will admit that I was not emotionally moved by this exhibition. I found it to a certain extent depressing, and certainly tiring. I love exploring art works where the artist has invited me to enter a different world, but I find it difficult (and I know this is my limitation) to engage with artists whose intellectual route is primarily an exploration of their own subconscious.

Having said that, this is not an exhibition to dismiss, and many will gain much more from it than I did.

In the end I emerged enlightened by the discovery that surrealism was not just Dalí's dripping time, nor the brilliant cinematic fantasies of Luis Buñuel.




To bring this down to the mundane, I now see surrealism all around.  A millionaire chancellor of the exchequer accepting that he broke the law that prevented ordinary people from holding the hands of their dying partners and parents, while simultaneously presiding over the biggest cost of living increase in living memory: a prime minister who dreams of himself being an international statesman, smirking at the camera in his grace and favour mansion while he confesses to being apologetic that he unwittingly broke laws he himself promoted..... 

These things are beyond surreal.




Having said that, I turn to the great Dr Johnson (no relation) who might well have been a tutor to both the Prime Minister and the Chancellor:

Resolve not to be poor: whatever you have, spend less. Poverty is a great enemy to human happiness; it certainly destroys liberty, and it makes some virtues impracticable, and others extremely difficult.


Or, should that be a bit too la-di-da for my average reader, here's one from Nadine Dorries, Secretary of State for Digital, Culture, Media and Sport (you couldn't make it up):

My blog is 70% fiction and 30% fact. It is written as a tool to enable my constituents to know me better and to reassure them of my commitment to Mid Bedfordshire. I rely heavily on poetic licence and frequently replace one place name/event/fact with another.

Nadine Dorries
21 October 2010


Nadine, honey is that you?
Oh, Nadine, honey, is that you?
Seems like every time I catch up with
You are up to something new

Chuck Berry


The phrase: Psychic automatism in its pure state, as quoted at the head of this piece, is the core tenet of Surrealism, and is also, I venture to suggest, the essence of the current embolisms in Downing Street.

Though, to me, another definition of Surrealism takes me back to 1460 and the poster of Piero della Francesca's Resurrection that I have on my bedroom wall (well - I might as well live in a monastery). Christ rises from a classical sarcophagus, four soldiers sleeping at his feet, while behind him nature goes from winter to spring as Easter brings us new life.




Which is why we like eggs so much......

Happy Easter!






27 July 2016

Wonderful World

Don't know much....







Don't know much about history

Don't know much biology

Don't know much about a science book

Don't know much about the French I took


But I do know that I love you
And I know that if you love me, too
What a wonderful world this would be


I doubt whether the thirty-three year old Sam Cooke’s final thoughts, in December 1964, were that it was a wonderful world – being shot in the chest can’t be a pleasant experience, whatever the circumstances.  But then Bertha Franklin didn’t love him, so things plainly weren’t wonderful…..

Anyway that’s beside the point.  Which is, somewhat tangentially, that I was minding my own business the other day, sipping hand-crafted West Country apple juice in Euston’s Cider Tap, trying to convince myself that, despite an avalanche of unhappy news recently, there is a wonderful world out there.  And then through the apple fumes I heard a voice gently singing Sam Cooke’s signature song. A face, somewhat beardy, a little rosy, certainly bleary, opened its lips and softly stated that art is one way of expressing love for the world, whether it is the art of a singer song-writer, or that of an architect or engineer, or that of a painter, the butcherthebakerthecidermaker…..






And what, I enquired, drawn as one is under such circs into conversation with a stranger, brought on this eye-watering profundity?

And the face, somewhat meekly, responded that this particular epiphany was ignited by a day out in the metropolis, during which it had had a guided tour of the National Gallery and then visited the new extension to the Tate Modern.  Enough "art" in one day to fund a Trident…..





And so, I am intrigued, what might be the connection with Mr Sam Cooke, deceased?

Ah, well, it’s the profession of ignorance, nay innocence, with respect to book-learning while emphasising that love can reveal the wonders of the world.  This touches my simple four-valve heart-pump.  And it is a beautiful song.  Beautifully sung.  And I don’t know much about art (though I knows what I likes)…..

So, wondering where I was going, I asked what it was that he likes….






Angels!  Angels with guitars!  And blue – I love the sheer luxury of lapis lazuli, agate of the Afghans…..





And the landscapes in the backgrounds of Italian renaissance pictures.




Et al?  The conversation sputters forward.


Indeed.  I confess that I am quite taken with the arts!  In fact, it takes quite something to dis my pleasure in the visuals.


Give me a furry stance?


I’m not keen on Tiepolo or Rubens…..  Could I  offer you a drink?


Awe?  Thank you, I’ll have a number 12….


The chap who sawed up a cow, and stitched a shark in a tank.  The lady with the bed and tent….


Ah!  Bri Tart?


Scream Tease I call it. 


But did you know that Rain, Steam, and Speed - The Great Western Railway, 1844,  by Big Joe Turner,  there’s a train breasting the Maidenhead Bridge in a fit of storm, and we are meant to feel it all – the gouts of rain, the spiffs of steam and the atrocious speed of it all? Look close and there’s a hare on the tracks; and peoples on the river banks….. And all the manmade madness of it was down to I K Brunel, who built the bridge and the train.


So, what did you make of the new state of the Tate?


Thanks…. Cheeers….  To be Frank


Didn’t catch your name? Gelett Burgess, was it?


James, James Bradburne….. And yours?


James James, eh?  I waved a little finger over my new glass of apple soup.  The Tate?






Have you seen it?






A tad brick on the outside, concrete inside for me.  Too much of the ziggurat....






Sam Cooke wouldn’t really like it.






‘Nuff said.  State of the mind....







Though it is a wonderful world






Apple juice helps.






It's all done with mirrors.  

Going far?





Maybe.  Depends.  You?






Milan.  

Eventually.  

But I’ll get you one before…..






I don’t know…..  

I can't de-cider....

(Joke!)







Well.  One for the virgin......






OK. Don't mind if I was.  

Here's to Big Joe Turner, Isambard Kingdom Come and the Thames at Maidenhead!  

And here's to the lies that make us realise the truth!


 



I knows what I likes.....







La ta ta ta ta ta ta (History)

Hmm-mm-mm (Biology)

La ta ta ta ta ta ta (Science book)

Hmm-mm-mm (French I took)


Yeah, but I do know that I love you
And I know that if you love me, too
What a wonderful world this would be