Showing posts with label Vale of Aylesbury. Show all posts
Showing posts with label Vale of Aylesbury. Show all posts

2 August 2020

The sound of thunder

A Butterfly Mind





I find it hard to believe that it is August already.  On July 31st it was still July.....

We went to Ivinghoe Beacon to walk.  It was a beautiful day - warm and sunny, and summery, and just like July ought to be, though I have no recollection of any other July 31sts - my mind is a wasteland when I search for details of how it might have been.

Anyway, it was a beautiful July day and I was happy to be wandering through woods, with the sun streaming through the grasses,





and backlighting the still fresh leaves,





I have recently discovered an interest in butterflies.  I suppose that I have always been interested in them - I remember occasionally collecting some when I was a kid, etherising them then sticking a pin through the thorax.  But was that interest?  Or was it vile vandalism?  I cannot be sure.  But I stopped doing that some sixty odd years ago, and have not noticed a change in the spelling of signs (pace Ray Bradbury).....



Brimstone


It's a summery thing.  Last year (though on August 18th, and certainly not on July 31st) my buddleia was suddenly attacked by a plague of Painted Ladies, swarming like locusts on the purple flowers.  It won't happen again though, I am relieved to say, as I punished the buddleia by replacing it with a rose.


By the way, in case you needed to know, Linnaeus - the Swedish botanist otherwise known as Carl von LinnĂ© - named the butterfly-attracting plant after the English botanist and rector Reverend Adam Buddle (who died in 1715 at the age of 53). 


Anyway, I noticed that these winged creatures seem to prefer sunshine and warmth, and who, with the exception of the rapidly declining polar bear, can disagree that these two words make life almost worth living?

So I have been trying to photograph these curious flying things, and learning their names. I have even taken up membership  of Butterfly Conservation (saving butterflies, moths and our environment)


July 31st must have been a good day for all, as I found several varieties on our walk, including what I think is a Silver-washed Fritillary (Argynnis paphia) - though it could be a Dark Green Fritillary (Speyeria aglaja).....





By the way, if any of my identifications are incorrect, please do contact me......

Silver-washed Fritillary (female?)

I don't know that I have seen one of these before, certainly not on July 31st, and I marvel at its details.  This one may be old in butterfly years as it seems to be a bit chipped at the extremities, but it is active and agile and is enjoying the juice of the bramble, so I lower my gun, and travel on.



Now here's a pretty Speckled Wood (Pararge aegeria) from the Brown family.  This one also likes brambles, and is unusual in that its numbers have increased significantly in recent years - probably due to global warming. It's a bit like a Ringlet, in that it can be seen on dull and cloudy days..... though this one likes sitting in sunny spots.  I have learned that most butterflies like warmth and sunshine, but I haven't yet worked out how they spend their time in bad weather.....  Do they just doze under a leaf somewhere?  They must get awful hungry!




Ringlet


Next I chance upon another bramble lover, one of the Whites. This, I think, is a Large (Pieris brassicae), the one I think we used to call a Cabbage White, whose greenish caterpillars could destroy our vegetable patch in a matter of seconds.  I load my blunderbuss and aim, but he's too quick for me and darts off to hide amongst the prickles.....




Large White

Very soon I spot another White, this time, I think, it may be a Green-veined one (Pieris napi).  I think I used to think of white butterflies as uninteresting, but now I know there are several different ones it becomes more fun, and anyway, if you look close their markings are often individual. I also love their furry shoulders, and their trembling antennae.  This one looks as though someone has taken a couple of bites out of the left wing - surely not a political move?



Green-veined White (female)

Trouble with the Whites is that they are pretty similar, especially if you don't see them together. Here's one that could be a Small (Pieris rapae) as he appears roughly the same size as the Ringlet (Aphantopus hyperantus) next to him (they both have a wingspan of about 48mm, whereas the Large White can get up to 70mm, or in excess of the size of a widescreen picture like Ben Hur - but I digress.... NB I thought Ben Hur was shot in Cinemascope, but a younger brother of mine corrected me as it was in fact shot in MGM 65 Camera.... The Robe was shot in Cinemascope, and The Fall of the Roman Empire was shot in Ultra Panavision 70. As I say, you learn something new every July 31st!)

On the other hand he could well be the same one I shot before, thinking he was a Large White.  I should really give up.....




But there is one White which is unmistakable, which is this one. The Marbled White (Melanargia galathea).  The trouble, however, is that this one doesn't belong to the Whites and Yellow family, but to the Browns!  

You learn something new every July 31st.....


Marbled White

And in the Brown family there is also this very brown chap, the Gatekeeper (Pyronia tithonus - another name to conjure with!)



Gatekeeper

You can see here how those circles on the wings work.  It could almost be a weasel staring at you, or a cat of some kind.


Then, passing through the gate my friend was keeping, we emerge onto the chalk grasslands leading up to the Beacon, and here the flowers shimmer in the breeze and thistle down drifts across the airs. Little blue butterflies chase away from me, busily avoiding my shots, until I catch this one sucking hard at some Knapweed. I think he is a Chalk Hill Blue (Polyommatus coridon) but there is a possibility he is a Common Blue (Polyommatus icarus - I love that hint of bravura in the name).  Look at his glorious fur!


Chalk Hill Blue?

As far as I can tell these two engaged in a bit of social proximation are Common Blues, but as a beginner my identification skills have yet to be honed.....


Common Blues


My last sighting before returning home is this wonderful Brimstone, whose scientific name (Gonepteryx rhamni) is not only a mouthful but also somehow reminds me of dinosaurs.  Here he delicately tips the floret towards him as if it is a flute of champagne.  







It is appropriate that I finish here, as the Brimstone may have given us the name Butterfly, as the buttery colour of the male's wings is said to have inspired someone to call it thus.  

And with that thought I gaze into the distance of the Vale of Aylesbury, stealing the thoughts  of the couple before me, thoughts that perhaps should have stayed in July, wondering where the sound of thunder is, and whether the clapping of a butterfly's wings really could have caused the chaos that flaps around us now.....






And now.....  

It is August!  

The Harvest's in and the summer is soon to be over.....




28 October 2012

Brian Bennett

A SPECIAL RELATIONSHIP




From Coombe Hill



Brian Bennett is an Old Master. At least, he is one of my old masters. For thirty years from 1957 he was Art Master (Director of Art) at Berkhamsted School, throughout which time, and beyond, he was also a great friend of my parents. Now at 88 he surely qualifies for the epithet old, but with all the veneration Old Masters deserve. 




Ivinghoe Hills, Winter 





Brian read History at Magdalen College, Oxford, but the inspiration of his English teacher at school, Peter Greenham R.A., led him to become a painter.  I paint in oils with a knife, he explains, mostly landscapes of the Chilterns, where I live, concentrating on wild flowers that grow on the chalk and on the wide panoramic views from the escarpment.  In 2001 he published A Painter's Year: 12 months in the Chilterns, which contains over 80 reproductions of his work.  He is also the author of Oil Painting with a Knife, published by Search Press, as he paints, almost exclusively with a painting knife (not a palette knife) which I modify to my own requirements….. Large and more studied work may require pencil sketches to confirm the composition, but generally I brush a few compositional marks with very dilute paint on the canvas before I begin, in earnest, with my knife.




Sowthistle and Knapweed




This knife work is clearly evident on close examination, but the overall effect is one of bright detail, sharp definition and living contrast.  His foregrounds often show the umbels of wild carrot or beaked parsley, the heads of bristly ox-tongue or knapweed, or the delicate spikes of wild orchids.  May blossom, silver birches and young beech leaves enlighten his landscapes, and distant views of church towers or farm buildings create perspective and add touches of red or white angularity. 




Ivinghoe Hills, Winter - (Detail)





The Chilterns and the Vale of Aylesbury are where he concentrates today, but his work is not limited by locality.  He has travelled throughout Europe and the British Isles, and one of my personal favourites was painted on the beach at Charmouth in 1962, showing Golden Cap.  The deft knife work captures the day, from the children paddling to the flash of gold gleaming on the peak.  A photograph could have brought home the scene, but it would have been a record of a moment, not the impression of an afternoon, with individual choice in each tiny fleck of colour and selection of detail.  

I know; I was there.  And I am still there whenever I review the picture.



Golden Cap, 62 – Private Collection






Brian has had a distinguished career as a painter.  He was elected as a Member of the Royal Institute of Oil Painters in 1973, was their President from 1987 – 1995, and was subsequently elected as a Fellow.  He was a Governor of the Federation of British Artists from 1990 – 1996 and has exhibited at The Royal Academy, the Royal Society of British Artists, the Royal Society of Marine Painters, the New English Art Club, and the National Society as well as at the Annual Exhibition of the Royal Institute of Oil Painters at the Mall Galleries in London.  In addition he held solo exhibitions for many years in Berkhamsted and now for twenty-one years he has been associated with the Hawker Gallery in Old Amersham, where his current show is on display.




Cymbelline's Mount



In 2011, Brian’s exhibition at the Hawker Gallery was inspired by the proposed High Speed 2 rail link (HS2) between London and Birmingham, which will, if it goes ahead, destroy a great swathe of the Chiltern scenery as it shaves some fifteen minutes off the journey time between the cities.  Since the government’s appalling miscalculations over the West Coast Mainline franchise it is impossible to trust their judgement over this project.  Yes, it would create jobs in construction; but that brings to mind the only thing my economics teacher ever impressed on me, which was that it would make sense to build a battleship and then immediately sink it.  Sinking a battleship in deep water, however, would not quite leave the same mark on the landscape as brutalising an entire countryside.  Yes, it might shave a few minutes off getting from outer London to outer Birmingham, but it would also shave 15 million years off our heritage.




Chiltern Landscape


Anyway, Brian’s paintings are there to celebrate and preserve the scenery in case the madness prevails, but they also demonstrate to all comers just what we would lose.  




Ashridge, Autumn



And this year’s exhibition is not, in essence, different.  Its focus is on slightly different tracts of land, but it covers the same principle, and illustrates the changing beauty of the Chilterns.  If we do not look after what we have, his paintings will become Old Masters, windows on a lost world, like Hobbema’s Avenue, or Constable’s Haywain, and if one thing is for certain, as W H Auden said, About suffering they were never wrong, The Old Masters…..  Brian’s paintings are a joy to behold, now, but one day they may be reminders of a certain suffering.




 Wild flowers - detail from Private Collection




As Brian explains in the brochure to his current exhibition: My underlying ambition is to paint a landscape that will convey not only my love of the Chilterns but also to create something really meaningful for the viewer.  I strongly recommend a visit so that you can see for yourselves.....

The exhibition is running until November 14th (2015) at:


The Hawker Gallery, 
The Maltings, off School Lane, 
Amersham, 
Bucks, 
HP7 0ET, 
tel: 01494 724850 

And this year is a celebration of the special relationship Brian has had for twenty-one years with Michael and Michele Hawker, who share his ideas and commitment to the local landscape.....









Brian and Margrit Bennett
Another Special Relationship





All pictures copyright; reproductions by kind permission of the Artist