Showing posts with label Les Marolles. Show all posts
Showing posts with label Les Marolles. Show all posts

8 July 2023

Then take me disappearin’

THROUGH THE SMOKE RINGS OF MY MIND



I have an ear worm.....  For some reason, the words, Let me forget about today until tomorrow, have attached themselves to a circuit and they turn and return, rattling around the inside of my largely empty cranium.  The words come from Bob Dylan's Mr Tambourine Man, released on March 22 1965 as the first track on side two of Bringing It All Back Home.  I must have heard it several thousand times and probably sung it hundreds as well, but this particular line never struck me as particular until yesterday (which was tomorrow the day before.....)



It was 11.00 pm on Wednesday June 14th and La Grande-Place in Brussels was busy.  Earlier we'd got off the train from Frankfurt, checked in to a small hotel near Brussels Midi, and stepped up to Brasserie Ploegmans on Hoogstraat in Les Marolles, where a warm welcome and great food greeted us.




It's an old fashioned place - founded in 1927 as a bar, but a restaurant since 2005, though not much changed in almost a hundred years.  My kind of place.





The food is generous and excellent. I start with Crevettes and Endives in a creamy sauce, accompanied by Vin Rosé:






Continue with Dorade, and end with Tarte Fine aux Pommes (Faite Maison), paired with a glass of Genièvre.  Let me forget about today.....





But today isn't over. The night is young and the streets are abuzz. Next stop is my favourite bar (well, certainly one of....) À la Mort Subite:






Inside of which the late great Jacques Brel used to frequent, and which brings to my mind his spirited song La bière:

Ça sent la bière
De Londres à Berlin
Ça sent la bière
Dieu ! Qu'on est bien
Ça sent la bière
De Londres à Berlin
Ça sent la bière
Donne-moi la main




It's quiet inside now, and Jacques' voice only briefly relieves me of my ear worm, as tomorrow fades rapidly into yesterday, even with colour:




I love the faded decor, the scruffy tables, the no-nonsense waiters, the pretty poisons on offer:




Yes, I love Brussels, a tumbling mess of a city, sprawling from TinTin to Brel, from Hepburn to Magritte. I love the heady beers and the weighty food.  Even just a few hours there waken something deep inside the foggy ruins of my time. Yes, to dance beneath the diamond sky, with one hand waving free, across the cobbled floor of La Grande Place:




Yes, for a moment, all memory and fate are driven deep beneath the stones - I'm not sleepy and I've nowhere to go....

Let me forget about today until tomorrow


Cheers!





Oh, take me disappearin'


Ça sent la bière
Dieu ! Qu'on est bien


[Or, as John reminds me,
The road to hell is paved with good intentions]








11 March 2020

Sexual Healing....

Pas de Masques....






Baby, I got sick this mornin'

A sea was stormin' inside of me
Baby, I think I'm capsizin'
The waves are risin' and risin'


We have much to lament, I guess, but also much for which we should be grateful....








And the rest of the men which were not killed by these plagues yet repented not of the works of their hands, that they should not worship devils, and idols of gold, and silver, and brass, and stone, and of wood: which neither can see, nor hear, nor walk:

Revelations 9:20





The time is out of joint..... 

In Ostend, I dance to the music of time at Anglo-Belgian painter James Ensor (and the his friends of the Cercle Cœcilia)'s masquerade the Bal du Rat Mort, which was initiated in 1898 after cheesy trips to Montmartre....



James Ensor: Masks Watching a Turtle, 1894


Ensor had a thing about masks, but, as above, is it the mask, or the person wearing it, that does the watching?  In Brussels, for a moment, I think Dumbnik Kummins is watching over me, swinging high on a wall (if only).....  His wooden face devoid of humanity, maybe full of opiates.







Though the pharmacies here are out of masks, the atmosphere in the Place du Jeu de Bal, in Les Marolles, is more laid back, and plenty of carved wooden masks are available, though this vendor is having a zizz (that's no way to make a living)   






There are people all around.  Some ignore me, pointedly, their fashionable stances ensuring medical metres between us....






Others keep a discreet distance, while they imagine their memoirs, 






While still others immerse themselves in accounts of others.....





And others simply have to talk to others, ignoring my innocent fellowship.....






The streets are full of intrigue, with pretence and suspicion rife....






Indeed, some do make me feel a tad guilty, for stealing their souls....







Some make a show of ignoring my shadow....






While others seem to wonder what I see in their quizzical gazes,






Or gently sympathise with my idle clicking....






The thing is my face is masked, and we are not understanding each other, even though my heart wants to reach out......

Who builds these walls?






Where's the fun gone?







Back in Ostend, at Residence Jane, Number 77 Promenade Albert I, Marvin Gaye sits at his table, composing Sexual Healing.







Ah, maybe I am wrong.....  he did that in 1982.  

A couple of doors down, at the Taverne Floride, I drink Leffe, as he did, and think that in this time of pandemic, maybe his formula wasn't wrong.....

Though sadly it didn't stop his preacher father shooting him.  Twice.  Once in the heart and once in the shoulder.






No wonder the angels are crying....








And the windows are full of masked ghosts....







Pas de masques.....

Please




And when I get that feeling
I want sexual healing
Sexual healing is good for me
Makes me feel so fine, it's such a rush
Helps to relieve the mind, and it's good for us

Sexual Healing

David Ritz / Marvin Gaye / Odell Brown



Death and the Masks, 1897 - James Ensor
James Ensor: Death and the Masks, 1867

What's Going On?



19 February 2015

Brussels

La Condition Humaine.....





The wallpaper in the care home dementia wing where my mother now lives consists entirely, repeatedly, of images of Audrey Hepburn, some with a long, black cigarette holder.  Quite what this does for dementia sufferers I don't know, though I imagine the thought behind it was to present an iconic image from the inmates' salad days, and to repeat it to enhance familiarity.  

What came as a surprise to me is that Audrey Hepburn is ranked as one of the five most famous Belgians in history (at least on www.famousbelgians.net)!  This website is presumably frequented by keen pub quizmasters seeking to baffle the otherwise intelligentsia on quiet weeknights.   What is perhaps most surprising about this is that Audrey Hepburn was not Belgian; (of complex ancestry and born in Brussels, but she was actually half British and half Dutch) ......


Jacques Brel. A la Mort Subite





For those who wish to keep up with the times, I would hazard that the most famous Belgians are, in no particular order, Jacques Brel, Hergé (Georges Remi), Georges Simenon (creator of Maigret), René Magritte, Peter Paul Rubens (actually Flemish), Hercule Poirot (OK not real), Eddy Merckx, Adolphe Sax and Plastic Bertrand.....





René Magritte



Anyway, I am not in Brussels to seek fame (though I do bump into Waldemar Januszczak crossing the road outside the Musée Oldmasters Museum).....  I am here for a flavour; a flavour of Belgitude (to quote Jacques Brel).








Mort Subite (Sudden Death) is a Lambic (a Belgian speciality using wild yeasts) Beer brewed for the bar, A la Mort Subite, which has been on the rue Montagne-aux-Herbes Potagères 7, Brussels, for over eighty years.  If you can take your eyes off this cyclist, the bar is to the right....






Inside is all mirrors and wood, with yellowing bar staff who curl at the edges. It is Paris in the sixties, Strasbourg in the seventies. Jacques Brel is still here, looking a little tired, despite his reported death in 1978. 

 



Knitted wear and felt hats are de rigueur.  It is the perfect antidote to Belgian weather. The perfect place to be anonymous in a crowd.  I think I will live here.  I think I may die, suddenly, here, one day....







Brussels is a city of contrasts, however. The skyline is part skyscraper, part gothic spire. The heart of the city beats with the choked arteries of hundreds of years of smoke and glasses, but the frilly outergarments sparkle with sequins of euromillions.  






Shiny surfaces reflect the old in the new, and shelter the less fortunate....





Near Bruxelles Central, the crack of cans and the shrouds of smoke embellish the pavement,

Ça sent la bière

De Londres à Berlin
Ça sent la bière
Donne-moi la main





While inside the early 1950s Galerie Ravenstein, the tables are empty.....








There is much to admire in Brussels, from the rooftops,







To street level,







It's a catholic city, so the churches are full of statuary, 





Compassionate tombs, 







And curious memorials








The museums range from the ornate,








To the surreal,







Within the convolutions of the Magritte Museum (opened in 2009) one is not allowed to take photographs.  In keeping with Magritte's own instructions, this is not a photograph.....









In the Rue du Marché aux Herbes, Charles Karel Buls (Mayor of Brussels 1881 - 89) sits with his dog in the rain,









Near the Stock Market, girls laugh and cats make eyes at me from a shop window,










A young Jacques Brel shelters in a bookshop in The Galeries Royales Saint-Hubert,








While a barman studiously avoids me on the Grand Place,






And in the Church of Sainte Catherine someone has stolen (I jest not; therein lies a plaintive note) baby Jesus from the crib.....








It is a city of contrasts; from old-fashioned, black and white Rubens....







To the muted gothic colours of the World Heritage Grand Place, which preserves something of its 12th century origins although it was largely reconstructed after Louis XIV bombarded it in 1695....









Away from the grand, much of Brussels feels lived in.  I stay in an attic room above a soap shop in Les Marolles.  




BRASSERIE PLOEGMANS




N.A.I.S Bar


The streets are full of bars and shops dealing in bric-a-brac, and not far away, under the shadow of the Palace of Justice and other muicipal buildings, 






there is a flea market, busy with a cosmopolitan crowd.







Cafes line the square, easy with beer or coffee, and cigarettes,








And when the day is done, fragments of different lives will be swept up and recycled in some way.  Bits of Tintin and Plastic Bertrand will find their way into a reconciliation with Hepburn and Brel.  Maigret will argue with Poirot in the depths of a glass of 9.5% proof Trappist Beer, and then Maigret will become Magritte and the snows will fall outside as night rises from the cobbled streets, and Adolphe Sax will serenade the last man standing outside the European Parliament Visitors' Centre, while Eddie Merckx rides by.....








As Magritte suggested, one object makes you think about what may be behind it.....









I don't claim to have discovered the essence of Belgitude, but it doesn't take long, with a head full of Brel and Lambic Beer, to begin to uncover what it is that lies behind the veneer of Brussels.  






And I like it.  

It's called, La Condition Humaine......




La Condition Humaine, 1935




C'est dur de mourir au printemps tu sais

Mais je pars aux fleurs les yeux fermés ma femme

Car vu que je les ai fermés souvent

Je sais que tu prendras soin de mon âme

Je veux qu'on rie, je veux qu'on danse
Je veux qu'on s'amuse comme des fous
Je veux qu'on rie, je veux qu'on danse
Quand c'est qu'on me mettra dans le trou

Le Moribond
Jacques Brel




Une autre condition humaine....



C'était au temps où Bruxelles rêvait

C'était au temps du cinéma muet
C'était au temps où Bruxelles chantait
C'était au temps où Bruxelles bruxelait

Bruxelles
Jacques Brel